Tides 23 features a look at Doctor Who-watching and its effect on character; several strong pieces of fiction; an assessment of Stephen Cole’s period as editor-in-chief of Doctor Who at BBC Worldwide; a look at the uncanny parallels between Doctor Who in the Jon Pertwee period and Babylon 5; a look at Hercules: the Legendary Journeys with a glimpse at its spin-off Xena Warrior Princess; an introduction to animated series Reboot; and much else. There was definitely a sense at this time that Doctor Who was over and done with as a TV series and that it now belonged to its fans who could do what they wanted with it, and much of that emerges in this issue.
I’d hoped to have finished uploading the entire Tides of Time back catalogue by now, but work and other essential matters of life have intervened. Since my last post I have added two more old issues as PDFs to the online library. They are both from 1998, the first two issues of Tides to be edited by Matthew Peacock, and the beginning of a period of vigorous collaboration, ever more outrageous opinionating, a growing interest in other television series to which the cult label had been applied, and enthusiastically reproducing pseudonyms. Links and summaries below. Both are somewhat large files so right-clicking is recommended; the originals were photocopies of inkjet masters but were of a higher standard than many; I have done a minimal amount of clean-up.
Tides 21 – Sydney Newman memorialised, the Bodleian Library’s Doctor Who holdings examined, The Claws of Axos defended, and First Frontier reworked. The state of Babylon 5 is surveyed. The seventh Doctor goes looking for a new coat.
Tides 22 – Get Smart! is celebrated; The Tenth Planet, Logopolis and Ghost Light are discussed; and the first Short Trips and the state of the BBC Books range a year after its launch are investigated. The first version of Fiona Moore’s Gay, Lesbian and Bisexual Guide to Doctor Who is published. The third Doctor decides to make the most of what time he has left between his encounter with the Queen Spider and his regeneration; the second Doctor and Jamie find something nasty in a very particular nursery; and there is a now happily outdated list of BBC Film and Television Library Doctor Who holdings.
I’ve added a few more full issues of Tides of Time to the online archive, dating from the 1994-1997 period. They are some of the larger issues published, with the size of most of the files ending up in the 20-30Mb range. They tell of the rise of fiction writing in the society, of the improvement in laser and inkjet printing and of photocopying, of the occasional internal squabble, and of multiple fan perspectives on the different paths off-air Doctor Who was taking in the 1990s, Somehow there is no great review of the TV Movie – Tides disappears for a year and then McGann is clearly established in the imagination of the writers as the current Doctor. I was a bit effacing about the contributors to Tides last time – the regulars or editors in this period include those who will become a novelist, a campaigning journalist, a churchman commended for his communication skills and many other talented people including someone hailed as the most underappreciated Doctor Who non-fiction writer.
Links and highlights:
Tides 13 (Hilary 1994) – madness and profanity abound as parody escalates, speculation and investigation of the missing episodes concludes, and Virgin’s New Adventures series continues to explode some established fan nostrums and cultivate others into exotic new forms explored in these pages.
Tides 14 (Trinity 1994) – exam season is upon us and this brings the Second Public Examination in Doctor Who. “‘A barely adequate substitute for a visit to a concert or music hall.’ Is this a fair description of the mighty Sontaran battle fleet?” A mother confesses the trauma of having a fan son, the Mara stories are dissected and there are quotes, in-jokes and a disturbingly accurate parody of TV Zone.
Tides 15 (Michaelmas 1994) – a new academic year and the first artwork cover for some time. The Grief Encounters fiction strand is in full swing, and sees the fifth Doctor, Nyssa and Tegan return a panda to an old friend and Mrs Barbara Chesterton attempt to interest a problem class in the Aztecs and finds one student would have blown Tlotoxl up with Nitro-9. 1980s Doctor Who is reassessed and found wanting.
Tides 16 (Hilary 1995) – a familiar cover design but the new editor has yet to change out of their predecessor’s outfit. There’s something going down in Perivale with horses and cats. The Devil never keeps his promises. Zoe cannot be blamed for the disaster that is The Dominators. And don’t forget, when the new serving wench comes in, tell her to peel the potatoes.
Tides 17 (Trinity 1995) – the new editor has found their outfit and there’s a hatstand on the cover. OED editors are dared to beat causality. ‘The people who run the show serve themselves and the people who have been diligently watching since 1963.’ What does one writer feel so much better for giving up? Which series did not last long enough for its reputation to be tarnished by repetition and banality? Time paradoxes are debated, while James Robert McCrimmon suns himself by the Thames Estuary.
Tides 18 (Trinity 1995) – an older scan first uploaded some time ago. The editor lays into Doctor Who‘s standards of archaeology – thank goodness they hadn’t seen Bonekickers. The Doctor meets Shakespeare and tells Robert Cecil that a potato is more likely to cause a rent in the fabric of space and time than any other root vegetable. Out on Fandrozani, the missing episode smugglers are waiting. How far was the fifth Doctor the first female Doctor? An admirer of the New and Missing Adventures worries about oversupply.
Tides 19 (Trinity 1996) – one year later, and Paul McGann’s movie has just hit a stunned fandom. ‘It is a triumph,’ says the editor, ‘balanced on a knife edge between plot and technology, fan and fresh eyes, Who and glossy American SF’ and challenges us to review our attitudes to Doctor Who in general. Doctor Who tie-in fiction is compared to its Babylon 5 and Star Trek equivalents. (BIG NEON SIGN: HERE IS THE MESSAGE. DON’T MISS THE MESSAGE.) There’s a sideswipe against a columnist from then new-kid-on-the-rack SFX. There are worries about Philip Segal’s ‘kisses to the past’ and nostalgic fondness for old-fashioned videotaped studio drama, and a suggestion that what we already have from Doctor Who, new series or not, is already more than enough to wish for.
Tides 20 (Trinity 1997) – another year over, and a new editor lavishes display fonts all over the magazine for one of the most baroque issues ever. Nicola Bryant stares seductively out of one page while Peri is tied to a stake screaming on another. There’s a fascinating article by an American student on ‘Winners and Losers of Cult Television’ – but which series is loved by his friends but he finds ‘refried pulp’, ‘as exciting as watching a sick cow die of a venereal disease?’ Better-loved is a series where most of the leading characters are sociopaths with no time for ‘namby-pamby moralising’. The continuities of Star Wars and Doctor Who are compared, and we meet ‘Gothic Phil’ Hinchcliffe along the way. McGann’s Doctor arrives in the universe of Crime Traveller and runs rings round Holly and Slade. Lance Parkin’s A History of the Universe is praised, Babylon 5‘s Shadow War assessed as if it were fit for the pages of The Cambridge Ancient History, and the Valeyard reassessed in the light of the later New Adventures and the TV Movie.
Your archivist is suffering from a cold and has spent much of the last couple of days in bed; what work he has been able to do has not made as much sense as he would like, and he has therefore turned to the crafting of a new PDF. Welcome, therefore, to the internet issue 26 of Tides of Time, published in late spring 2000, and edited by Matthew Peacock. It’s a very strong mixture of material, including some of my favourite articles from the entire run, such as David Bickley’s confessions of explaining your fandom at job interviews (I’ve been there too), Fiona Moore’s ‘Continuity – A Modest Proposal’, Al Harrison’s look at the works of J.G. Ballard and Matthew Peacock’s own piece on the rail yards at Barry, unaware that in just over four years Doctor Who, revived, would be filming there. There’s fiction of the adventurous and traditional sorts too, all very much reflecting the era of BBC Books original fiction and showing great affection for the eighth and sixth doctors in particular, though there is an early Big Finish review examining then producer Gary Russell’s policies and how releases such as The Spectre of Lanyon Moor support them.
If you’ve not already downloaded the issue, you can do so here.
There’s also a contents listing for the issue in an earlier post.
I’ve been promising something for the past few months which wasn’t actually in my power to deliver, and that was issue 37 of The Tides of Time. Editor John Salway has now provided me with the original file, which can be downloaded here, in colour. If you visited earlier today and had problems downloading, I’ve now reduced the file size to under 5Mb.
I was very pleased to be peripherally involved with this issue. It’s a good summary of the character of the Oxford Doctor Who Society at the start of the 2013/14 academic year.
Bibliographic details are as follows…
The Tides of Time, issue 37, was published in November 2013 by the Oxford Doctor Who Society. The editor was John Salway.
- Editorial by John Salway
- Crossword – Fifty Years of Villains
- Return to Earth. Review of the Wii video game, by Adam Kendrick
- The Eternity Clock. Review of the game for PC, PS3 and PSVita, by Graham Cooper
- Rusling the Isis. The second part of a look at Russell T Davies’s Oxford University media career in the 1980s, by Matthew Kilburn
- Fifty Years, Fifty Moments. The scenes which encapsulate Doctor Who‘s Doctor Who-ness, compiled and written by Graham Cooper and Sara James, with Thomas Keyton, Matthew Kilburn, and Jonathan Martindale
- Doctor Who and Philosophy. Jonathan Martindale reviews the 55th volume in the Open Court Press series ‘Pop Culture and Philosophy’, which turns its attention to Doctor Who.
- Lost in Translation? Sara James reports on the status of Doctor Who in Germany with particular regard to pronouns!
Page 39 is intentionally left blank.
The magazine’s print form is A5, lasercopied, with 40 pages.
- Editorial by Louise Dennis
- Sixth of One. The sixth Doctor’s era reviewed by Matthew Kilburn
- Prize crossword and wordsearch by Roger Shaw
- Supremacy of the Daleks. Fiction by Alan Whitten
- Wanted: Adam the Bad. In-joke
- Day of the Daleks. Capsule review by Paul Groves
- It’s a Kinda Magic? Review of Kinda by Paul Dumont
- Review of Kinda by Mark Dunn
- Snakedance. Review by Evariste Galois “(no this isn’t a pseudonym for Louise Dennis!)”
- Vengeance on Varos. Review by Paul Groves
- “Decay” after a Decade. Review of State of Decay by Paul Dumont
- Planet of the Spiders. Capsule review by Matthew Kilburn
- The Most Fell Beast of All. Arachnophobic protest against being asked to review Planet of the Spiders by Sarah Sturch
Cover illustration by Liz Humphry
Back cover illustration by Mike Collins of Doctor Who Magazine, obtained for a charitable donation at Carousel 90.
Format: A4 folded to A5, photocopied, cover pages on off-yellow paper, 20pp
Please note that PDFs are sourced from aged photocopies!
- Editorial by Louise Dennis
- The Deadly Assassin. Review by Matthew Kilburn
- Supremacy of the Daleks. Fiction by Alan Whitten
- Inferno. Art by Robert Moss
- Inferno. Review by Robert Moss
- Robots Robots Everywhere! Review of The Robots of Death by Tim Procter
- Going Underground. Review of Frontios by Tim Procter
- Competition Resultsby Roger Shaw
- Puzzles by Paul Groves and Mark Dunn
- Cold Turkey or Spam? Review of Destiny of the Daleks by Michael Hagen
- Blake’s Seven: Destiny. A reinterpretation of Destiny of the Daleks by Paul Groves
- “Do Not Deviate” Review of Destiny of the Daleks by Tim Procter
- Doctor Who in the TLS by Paul Dumont
- The Dominators. Review by Matthew Kilburn
Cover illustrations by Robert Moss
Format: A3 folded to A5 and cut; photocopied. 20pp